Installation

outsin, 2021

Installation, 2021

toffifee-packaging, thread, needles, wire leader, swivels, brass wire, survival blanket

sound*

fenster 103, Stuttgart

 

*the sound is generated by (modulated) noises created with the packaging material + combined with field recordings of the mediterranean sea. The visitors were invited to bring their own headphones, scan the qr-code and listen to the 'score' to complete the work

o.T. [black box], 2020

Gabrielle Zimmermann, o.T. (Black box), 2020 - Installation Galerie Stadt Sindelfingen,  Foto: Henning Krause

Installation, 2020

wood, black pigment, 150 x 180 x 210 cm

5.1 sound installation, 09:45 min. approx

exclusively created for the show BEYOND THE PAIN at Galerie Stadt Sindelfingen - Photo: Henning Krause

ZWISCHEN [PET.03], 2020

Gabrielle Zimmermann, ZWISCHEN PET.3, 2020 - Installation at Galerienhaus 3.0 - Schacher Raum für Kunst, Stuttgart

Installation, 2020

used water plasticbottle pieces, sound

circle with about 5 meters surface

Galerienhaus 3.0 - Schacher Raum fuer Kunst, Stuttgart - Photo: Marcus Gwiasda

ZWISCHEN [PE.01], 2019/20

Installation 2020

PE plastic (bubble)foil, bamboo, sound

Oberwelt e.V., Stuttgart - Photo: Joerg J. Berchtold

Distorted Triptych, 2018

Video HD, 3 chanell installation

loops (4:15 / 4:26 / 5:45 min)

no sound

Installationview SCLERA exhibition, Microssage /Galerie Hausgeburt, Stuttgart - Photo: Gaëtan Aguado

>> Video

Entre Medias (Stage TWO), 2018

Gabrielle Zimmermann: Entre Medias (stage two), 2018 - Installation, AADK Spain, Centro Negra

Installation, 2018

used water plasticbottle pieces, sound

Centro Negra, Blanca, Spain

Audiovisual interactive work developed during the residency programme of AADK Spain

Entre Medias (Stage One), 2017

Gabrielle Zimmermann: Entre Medias (stage one), 2017 - Installation, AADK Spain, Centro Negra

Installation, 2017

used water plasticbottles, sound

Centro Negra, Blanca, Spain

Audiovisual interactive work developed during the residency programme of AADK Spain

"Entre Medias (First Stage) places us between the natural and the artificial, the essential and the residual,

the thoughtful and the playful, the beauty and the horror." (Elena Azzedin) >>

 

PRAXIS, 2017

"o.T. (Praxis)", Installation, 2017

Infusionszubehör, Atemmaske, Metallrollwagen, antiker Arzttisch, Op-Besteck, abgelaufene und gebrauchte Silikon-Brust-Implantate

Praxis - temporärer Projektraum (ehemalige Arztpraxis), Stuttgart

 

Zur Finissage, öffnet sich die Tür und aus der Installation heraus entwickelt sich die Performance
 „Sinnlose Tätigkeiten mit großer Sorgfalt ausgeführt V, Nr.1“

 

 

"untitled (Praxis)", installation 2017

infusion equipment, oxygen breathing mask, stainless steel trolley, vintage medical instruments table, surgical instruments, expired and used silicone breast implants

Praxis - temporary project space (former doctor's office), Stuttgart

 

For the finissage, the door opened and out of the Installation emerged the perfomance

„Senseless activities, carried out with great diligence V, Nr.1"

 

Installation after the performance - Photo: Oliver Hermann

In-Between, 2016

Installation, 2016

video, sound, used plastic bags, old bamboo and old kimonos

for House 2 of Studio Kura, Itohsima, Japan

The work was developped during the 5 weeks artist in residence stay at Studio Kura, Itohsima-Shi, Prefecture Fukuoka, Japan

exclusively for this location

 

IN-BETWEEN


In-between – cultures
In-between – inside & outside
In-between – reality & perception
In-between – tradition and modern life
In-between – natural & anthropogen

...


In-between – as a negative space,
             in a postive sense of emptiness in-between things,
             to give place for thinking & creating own thoughts

             and ideas ...


The essence of Japanese aesthetic is Ma - a complex concept about this interval which gives shape to the whole –

in space and in time, about the space „in-between“ and the importance of „the void“ between things ...
In the Western world there is neither adequate word nor term for this.

 

 

Information on the Studio Kura Website

>> english

>> 日本の

1/2 Stock, 2014

o.T. (1/2 Stock), 2014

Installation in Kooperation mit Oliver Herrmann
Beamer, Laptop, Webcam, Aktivboxen, Nylonfaden, Bewegungssensor

1/2 Stock, Stuttgart

 

Die Installation wird durch das Publikum aktiviert: Auf dem Weg zum blau strahlenden Licht aus dem Versorgungsschacht

unter der Treppe im Ausstellungsraum wird durch das Passieren einer Webcam das Video ausgelöst.

 

 

untitled (1/2 floor), 2014

Installation in cooperation with  Oliver Herrmann

Beamer, laptop, webcam, active speakers, nylon thread, motion sensor

1/2 Stock, Stuttgart

 

The installation is activated by the spectator: On the way to the blue shining light in the supply shaft under the stairs, passing a webcam initiates the video.

 

Vinyl (Triptych), 2013/14

Diese Arbeit wurde eigens für die "Wunderkammer Vinyl", 2014 in der Oberwelt e.V., Stuttgart konzipiert. 

Das Triptychon widmet sich den drei Sinnen, welche für die sinnliche "Erfahrung" des Phänomens Vinyl 

von entscheidender Relevanz sind: Optik, Haptik und Akustik.

 

links: "Rotorama" (hommage)

videoloop - digitaler Bilderrahmen

 

mitte: "interaktive Installation zur haptischen Erfahrung des Glücksmoments beim Auflegen einer Schallplatte"

Plattenspieler, Plattenbürste, Schallplatten, Verstärker, Boxen

 

rechts: Soundloop

Kopfhörer, mp3player

 

 

This work was especially designed for the show ""Wunderkammer Vinyl", 2014  at Oberwelt e.V., Stuttgart.

The triptych is dedicated to the three senses wich are of essential relevance for the sensual experience of the phenomenon "vinyl":

optics, feel and acoustics.

 

left: "Rotorama" (hommage)

videoloop - digital frame

 

middle: "interactive installation for tactile experience of  the moment of happiness playing a record"

recordplayer, amplifier, speaker, records, vinyl brush

 

right: soundloop

headphones, mp3player